I reviewed Gary Krist’s EMPIRE OF SIN and Michael Ross’ THE GREAT NEW ORLEANS KIDNAPPING at WSJ Books.
The reviewer became the reviewed in the comments section, where one reader made the best observation of my work that I’ve ever seen:
‘Surely <<animating idle fingers with the morally dissolute music seminally called “jass.”>> is the raunchiest wordplay yet published in a family newspaper!’
That’s epitaph material.
A random raunchy New Orleans image to go with it:
Folks are getting to know Sax Kari through the book The Chitlin Circuit, a work that would not have been possible without his guidance and insight. He worked every angle of the black music business, as a bandleader, cabaret act, stand-up second fiddle, straight man, bag man, producer (The Falcons “You’re So Fine” among his credits), manager (a wide range of talents from Della Reese to Esquerita), and did so with some of the most influential figures in the business, from obscure booking agent Denver Ferguson to the feared and respected Don Robey. He carried his camera along while he promoted records and concerts, and snapped some incredible fly-on-the-wall scenes from his world.
I want to share some of the amazing photographs from his collection that do not appear in the book. I’ll release a few at a time in the coming days. They are copyrighted material and all sorts of inconvenient repercussions will follow if they’re used without permission. Other than that, enjoy! The first sequence includes candid shots of well-known people. Like, Art Neville in New Orleans, 1963:
The following caption, in Sax’s hand, reads: “Jerri Hall and Irma Thomas WOW!”
NOLA people, who is Ms. Hall? (Matt Weingraden comments that she used to sing with Huey Smith & The Clowns and may still be in New Orleans! Thanks, Matt.)
Finally, here’s Count Basie having a smoke outside a Tampa Motel in 1973. The newspaper headline says something about POWs released in March.
Many more to come!